David Shapton

The advent of HDR, RAW video, and wider colorspaces mean that post-production workflows are dramatically better at dealing with high-end images today than they were a decade ago. That in itself is awesome. But for post-professionals to make the most of the myriad of technical and creative choices it brings,

New in Hedge 22.1 One of our earliest blogs, “Folders are not metadata” made a lot of people rethink their workflow, and we’ve heard it’s become essential reading for many. While that blog made a very striking point about not using folder structures as the sole keeper

For 14 years, EditReady has had your back transcoding your footage to an editable format, fast. And now, it’s ready for RAW.

Seldom has a journey been so winding and long as ours has been with Canister, Hedge’s archive software that has transformed the industry’s perception of LTO. Back in 2017, mLogic reached out to us, asking if we could do for LTO what we had done for backups with

Postlab for Media Composer brings secure cloud-based collaborative editing to Avid editors. It’s a breakthrough, and a big deal for the Avid community.

Right from the start of my so-called career, I learned that if I followed the things that fascinated me, work would never seem like work. Not everyone is lucky enough to have such a choice, and it doesn't happen every day: more like every few years, but it can and